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The same year she married Jopling, she discovered she had colon cancer. She learned other big lessons around that time. “But I wasn’t happy in the glitzy-glamour, high-market, fancy living. “I lived it large for a little while,” she says. They had two children, but something was missing. In 1997, at age 30, she married a wealthy gallerist named Jay Jopling and started living the posh life. “She covered all bases.” But for young Samantha Taylor-Wood (as she was christened), the only escape was through the lens she got hold of her first camera and it was love at first click.Īfter graduating from Goldsmiths College in 1990, she began exhibiting her photography and became a darling of the London art scene alongside other YBAs (Young British Artists) of the era, such as Damien Hirst and Tracey Emin. “She kept an altar with a Buddha, rosary beads, Krishna and a crucifix,” recalls Taylor-Johnson. Her mom took solace in religion - pretty much all of them.
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School was a nightmare of British class-system stigma: The kids who received free lunches, like her, lined up in different queues than those who could afford to pay. Her father moved out of the house when she was 9. It was a hippie environment - that was my upbringing.” “The house was cold,” Taylor-Johnson says as she describes growing up in a poor section of London.
Where it will take Taylor-Johnson should be interesting to watch, too. It’s interesting to see where it takes her.” Her sexual desires and where she lands is not guessable.
It’s about the character’s power as a woman and how she uses it in her practice. “There’s an erotic nature to it,” she acknowledges, “but it’s not at all in a similar way to Fifty Shades. It may not have a Red Room filled with blindfolds and handcuffs, but it’s being sold as a sexy psychological thriller told in a sumptuous visual style. The series, which starts streaming June 30, is in some ways familiar territory for Taylor-Johnson, although she’s reluctant to draw comparisons. They left me alone to do what I do best.” But not with any muscle-flexing need to show power.
#FIFTY SHADES OF GREY MOVIE ON NETFLIX TV#
It’s Taylor-Johnson’s first foray into TV - she’s executive producer but also directed the first two episodes - and already she’s feeling 50 shades better about the creative process.
#FIFTY SHADES OF GREY MOVIE ON NETFLIX SERIES#
“I just can’t think there.”Īnother new chapter: Taylor-Johnson is about to release her first project since Fifty Shades, a Netflix series called Gypsy that stars Naomi Watts as a therapist who gets over-involved in her patients’ lives. “It’s a full-on house,” she says, nodding toward home. Just up the hill from her home, it’s a quick escape from the merry chaos of her family life, which nowadays includes a husband (27-year-old actor Aaron Taylor-Johnson) and an expansive collection of kids (two young daughters with Aaron and two other girls from a previous marriage, the oldest a freshman at Stanford), three dogs (including a big one aptly named Bear, who pants by her side) and six chickens.
For one thing, in the fall she purchased this $2 million house and converted it into her new film and photography offices. But today, two years later, Taylor-Johnson finally seems to be turning a page. The fury over Fifty Shades of Grey - Taylor-Johnson’s battles with author EL James over every inch of the blockbuster’s adaptation, the film’s withering reviews (its record $571 million worldwide grosses helped soothe the sting, but still), the indignity of being booted from the sequels by Universal - was a particularly choppy chapter in a life that’s been packed with harrowing plot twists. “The California light has affected my work in such a positive way,” she notes, pausing to peruse a photo of herself hanging upside down from a light pole in front of the Easy Rest Inn. “I’m almost ready to start showing them to galleries, if that’s even a possibility again,” says the 50-year-old director, who before making history with the largest-ever opening for a female-directed feature (until Patty Jenkins’ Wonder Woman broke the record with its $103 million opening) was once one of Britain’s hottest visual artists, with solo exhibitions at the Tate Modern in London and the Museum of Contemporary Art in Moscow.
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